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Bermondsey Project Space
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BIRTH SLEEVES? NEW EDITIONS
at Bermondsey Project Space
26 September - 7 October 2023
This September, award winning artistĀ Jonathan ArmourĀ is returning to Bermondsey Project SpaceĀ to exhibit his second solo show. Following on fromĀ Birth Sleeves? last October, the āNew Editionsā build on the trans-humanist ideaĀ that one day we will be able to upload our human consciousness into a device which can then be relocated into a new body, whether naturally born, modified or artificially created.
Taken fromĀ Richard MorganāsĀ Altered Carbon, āsleevesā are the term used for bodies that serve as a receptacle for the human consciousness. The body an individual is born with is called their Birth Sleeve.Ā āØ
In the creation of this new exhibition, Armour has been influenced byĀ Mark Jarzombek, Professor of the history and theory of architecture MIT, who said:
What develops over time is something like an ontological crust, a place where our traditional sense of identity toward the outside condenses and contains our sense of Self.
Our onto-crust hooks itself into the flesh of the digital, draining energy from it for its psychic purposes.*
Perhaps, we in 2023 would view the relationship between theĀ onto-crustĀ and the digital as more symbiotic? Armour postulates that we now approach the digital with a more critical, less naive/optimistic attitude than we did in 2016 when Jarzombek producedĀ The Digital Stockholm SyndromeĀ in the Post-Ontological Age, from which this excerpt is taken.Ā
Armour sees theĀ skin as an interface between the person and the world around us.āØāØ An underlying element to hisĀ works on silkĀ is their fragility. Weāre not used to seeing the human body fragmented in these ways. Pixels allow the accurate capturing of the skin surface, while also providing Armour with a base whichĀ he can play with and manipulate.āØāØ
The exhibition will feature seven new āsleeveā prints on silk, as well as a new body of digital works.Ā
*from āThe Digital Stockholm Syndrome in the Post-Ontological Ageā, by Mark Jarzombek, 2016, (University of Minnesota Press).