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Youโre sat in a cinema. The lights are down. The curtainโs up. The ads and trailers have come and gone. Whatโs the first thing you see when the film starts? Itโs easy to take for granted, but a filmโs opening title sequence is fundamental to setting the tone and sparking our imagination. Indeed, an ill-fitting title treatment can have an adverse effect on the audienceโs emotional engagement โ just imagine โStar Warsโ in Comic Sans.
So how do you avoid a typographic catastrophe? For legendary title designer Dan Perri โ who fell in love with letters aged 12 when he began painting signs for local stores and whose 40-year career encompasses some 400 films and television projects โ a title sequence should reflect the personality of the movie as much as the maker. โA good title conveys a message while relating to the most important elements of the story or lead character,โ he explains. A staunch advocate of tailoring a typeface to an individual filmโs needs Perri will be sharing the stories behind his most iconic title designs.
Hosted by The Lates
The Lates at Ravensbourne University London is a programme of evening talks from key creative industry figures that are invited to speak to our student and wider creative community under a specific theme.
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